Internationally renowned Fine Artist and muralist Kim Fay; at an early age developed a penchant for painting on the walls of her house, which caused reluctant amusement from her mother, and this soon developed into a precocious obsession with various mediums at hand.

She considers her education in art more practical than academic, although she possesses a degree in Fine Art; she began her artistic journey doing ceiling and wall murals in mansions in Palm Beach very close to where she painted on the walls of her home as a child. This opportunity allowed her to finance travels to Europe , where in her eyes, she could pursue what she considers a true education in art.

In London she lived a Bohemian lifestyle, sketching in the halls of the Tate gallery, doing pleine air in Kensington Gardens , studying in the library at the Royal Academy . She was a stealth academic. Florence , Cologne , Paris all soon followed, and it was in these years she truly grew as an artist.

After returning to her studio in Florida, a cycle began where paintings and murals were created for a variety of spaces, including Delta Airlines, Fairfax Women and Children's Hospital and the America Society of Telecommunications Industry Solutions in Washington, DC, in addition to contributing still to the beauty of the private sector by doing Fine Art and murals in private homes.

A connection was made through a designer in West Palm Beach to do a mural for the Grand Hyatt in Taipei and paintings for the Regency Lounge at the Grand Hyatt in Hong Kong , and other corporate commissions as well as applying her work in private homes throughout Asia .

Kim finds it necessary to continually regenerate her sense of composition and form and freshness of ideas. To achieve this, she enters shows such as the National Exhibition of Contemporary American Paintings at the Society of the Four Arts in Palm Beach , where she won 3 awards for her work. She was also profiled in "Juicy Fruit: Contemporary Citrus Imagery by Florida Artists," held at The Tampa Museum of Art.